Christopher Tyng, who composed the theme for Futurama, composed the show's orchestral music which included the ending theme. made indie rock a "main focus of the series" and also its marketing plan. Each week Patsavas created a compilation from the new releases sent into the producers, and at times they were being "sent around 400 or 500 CD's a week". The reason " California" became the theme to show was because "Josh Schwartz loved the way it worked in a scene in the pilot." At other times they watch the episodes' editors cut and pitch song ideas for specific scenes. On another occasion Schwartz went to Phantom Planet and asked for a mellow version of California. For example, for an episode Schwartz had scripted a cover of " Champagne Supernova", got permission from Oasis and collaborated with band Matt Pond PA to write a cover of it for the show. Patsavas stated that Schwartz scripted a lot of the music, with some songs being selected before she saw the episode script. In an interview with IGN, Schwartz said that he had "always intended that music be a character on the show" and music was selected in two ways: either it was written into the script or it was selected to suit a scene. Patsavas worked alongside creator Josh Schwartz, in selecting the music to be used. Show creator Josh Schwartz, who wanted music to feature prominently in the showĪlexandra Patsavas, who had previously worked on shows including Roswell and Carnivàle, was appointed as music supervisor on The O.C.
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